The Lantern of Lost Memories

Hiiragi, Sanaka. The Lantern of Lost Memories. New York: Grand Central 2019. Print.

First Sentences:

The hands and the pendulum of the old wooden clock on the wall were motionless. Hirasaka cocked his head to listen, but the silence inside the photo studio was practically deafening.


Description:

I picked up Sanaka Hiiragi's The Lantern of Lost Memories, for two reasons: first, the intriguing title; and second, the premise that after death a person could revisit one day of their choosing from their life. Who could resist either of these? Certainly not me.

Although the first sentences are rather ordinary, within the first two pages one meets two very interesting characters, Mr. Hirasaka and Mrs. Hatsue Yagi. Mr. Hirasaka is the manager of a photography studio, complete with a room for taking posed photos, an astonishing number of cameras on display, and a room for developing photos. Mrs. Yagi is a 92-year-old woman who wakes up on a couch in Hirasaka's photo studio and learns that she is now dead.

 

Hirasaka explains to her that he and the studio are a sort of "staging post between life and death." He provides Mrs. Yagi a box of photographs, one taken each day during her 92 years. Mrs. Yagi's task is to select one photo for each year that will be attached to a "Lantern of Memories" in the next room which both she and Mr. Hirasaka will sit and watch before she enters into her afterlife.

You see, once you get here, it doesn't matter how wealthy or important you were in life. All you're left with are your memories.

The wonderful addition to this task is that Mrs. Yagi must select from all her photos one single one that is extraordinarily important to her. Together with Mr. Hirasaka, she will revisit that day in the past represented by that photo and watch her younger self and others involved with that significant day in her life. Of course, both she and Mr. Hirasaka will be invisible, unable to interact with anyone or change events from that past.

The photo was really only a mass of tiny dots, and yet within its foud corners it seemed to contain everything important about the day it was taken -- the rush of the wind, everything she'd heard and felt ... How was it possible for all that to be hiding among those specks of colour?

"Photos do have a certain power, don't they?" said Hirasaka quietly

That's all you get. Either you are captivated, as I was, by this concept and these gentle characters in these first few pages and definitely want to find out more, or you are ready to put the book down. As further enticement for you to pursue finishing this wonderful story, the remainder of the book follows not only Mrs. Yagi's selected day from her past, but offers the revisits of two other people. By the end, we find out who Mr. Hirasaka is, how he come to be the photo studio proprietor, and why he has no memories of his own life, no box of personal daily photos.

 

The Lantern of Lost Memories is so compelling in its quietness, gentleness, and humaneness as secrets are revealed and incidents remembered. These are marvelous characters, perfectly calm in their conversations and journeys into the past. I loved this book and envy anyone picking it up for the first time to enjoy the tranquility and intrigue of the people, setting, language, and plot of this fine novel. Highly recommended.

[If this book interests you, be sure to check out:]

Ogawa, Yoko. The Housekeeper and the Professor.   

A brilliant, quiet, cranky mathematics professor who, after a head trauma, can only remember anything, including people's faces, for 80 minutes, before everything is erased from his mind. A young housekeeper and her 10-year-old son are hired to take care of him. After some struggles, they learn to adapt and relate to each other in unexpected ways.  (previously reviewed here)

 

Happy reading. 

 

Fred

 

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          (and an Intro to The First Sentence Reader)