Posnanski, Joe. The Life and Afterlife of Harry Houdini. New York: Avid Reader 2019. Print
"Ladies and gentlemen," Harry Houdini sang, for in those days he did sing.
Houdini's voice in many ways was more magical than any escape of illusion.
Description:
I enjoy magic without being a student of it. Love being entertained by illusions without feeling the need to analyze the trick or figure out how I was fooled.
Therefore, I love magic-themed biographies, historical fiction, and plain old novels rather than books with tell-all expositions of tricks and fakery. This means my favorites include fantastic books like Carter Beats the Devil, The World of Wonders, and The Glorious Deception: The Double Life of William Robinson, aka Chung Ling Soo.
Well, you can add Joe Posnanski's The Life and Afterlife of Harry Houdini to my list of wonderful biographies of magicians. Although technically Erich Weiss (aka Harry Houdini) was never a great magician, his is the one name from the world of magic that everyone worldwide knows. Carter, Thurston, Blackstone, Robert-Houdin, and even Doug Henning and David Copperfield are now forgotten or only memories to those who actually saw them perform. But Houdini survives and his name is universally applied to anything involving escape, whether toddlers climbing out of cribs or octopuses slithering out of their tanks. All are "Houdini-like."
Author Posnanski decides to explore every news article, book, film, fact and rumor about Harry Houdini and his fame as an escape artist in the early 20th century. His hope is to cut away the rumors, exaggerations, and outright lies about Houdini and present just the known facts. Most of what we know about Houdini is from primary sources such as newspaper articles, promotional posters, and books of the day. However, most of these were written by Houdini himself, submitted to local media while performing in local theaters. Of course, much of this was simply exaggeration or outright untruths, but the print made him famous.
We learn about his struggles to be a card magician with a few other tricks, performing before small crowds at sideshows, dime museums, and small theaters. But it was his first escape trick, the "Metamorphosis" trunk escape, (purchased from another retiring magician), that the people loved. Houdini was encouraged to drop the magic and concentrate on escapes. Thus emerged highly-publicized escapes from local police cells with handcuffs. Later came the straitjacket, a simpler escape for him but one he dramatized by hanging upside down over rivers or audiences.
The Life and Afterlife of Harry Houdini is a wonderful look at America and its people in the early years of the twentieth century. But it is Houdini himself that still captures the imagination with his larger than life persona, dreams, and exploits. A fascinating book about a unique performer, well worth anyone's time interested in magic, self-promotion, early American life, and the individual who brought to the public all these elements in one glorious package.
Therefore, I love magic-themed biographies, historical fiction, and plain old novels rather than books with tell-all expositions of tricks and fakery. This means my favorites include fantastic books like Carter Beats the Devil, The World of Wonders, and The Glorious Deception: The Double Life of William Robinson, aka Chung Ling Soo.
Well, you can add Joe Posnanski's The Life and Afterlife of Harry Houdini to my list of wonderful biographies of magicians. Although technically Erich Weiss (aka Harry Houdini) was never a great magician, his is the one name from the world of magic that everyone worldwide knows. Carter, Thurston, Blackstone, Robert-Houdin, and even Doug Henning and David Copperfield are now forgotten or only memories to those who actually saw them perform. But Houdini survives and his name is universally applied to anything involving escape, whether toddlers climbing out of cribs or octopuses slithering out of their tanks. All are "Houdini-like."
Author Posnanski decides to explore every news article, book, film, fact and rumor about Harry Houdini and his fame as an escape artist in the early 20th century. His hope is to cut away the rumors, exaggerations, and outright lies about Houdini and present just the known facts. Most of what we know about Houdini is from primary sources such as newspaper articles, promotional posters, and books of the day. However, most of these were written by Houdini himself, submitted to local media while performing in local theaters. Of course, much of this was simply exaggeration or outright untruths, but the print made him famous.
We learn about his struggles to be a card magician with a few other tricks, performing before small crowds at sideshows, dime museums, and small theaters. But it was his first escape trick, the "Metamorphosis" trunk escape, (purchased from another retiring magician), that the people loved. Houdini was encouraged to drop the magic and concentrate on escapes. Thus emerged highly-publicized escapes from local police cells with handcuffs. Later came the straitjacket, a simpler escape for him but one he dramatized by hanging upside down over rivers or audiences.
"The secret of showmanship consists not in what you really do, but what the mystery-loving public thinks you do." [Harry Houdini]Houdini had an insatiable hunger to be the most famous man in the world. Posnanski details this climb to the top and then the ever-increasing pressure to create newer, more dangerous escapes on never-ending tours around the world. En route, Houdini took it upon himself to expose fortune-tellers and mediums he considered fakes duping the public, including his boyhood hero, Robert-Houdin himself. We also learn about the escape-proof Mirror Cuffs specially designed to foil Houdini which they did for agonizing minutes on stage. He did finally master these cuffs, but since that one performance no one has ever been able to open the cuffs without their huge key.
Houdini wanted to bring real danger -- or at least the appearance of real danger -- to magic....The water Torture Cell is more than a magic trick. Houdini understood this. It attacks our inner feelings. It steals our basic needs for air and freedom. It touches something deep inside us today, just as it did one hundred years ago, just as it will one hundred years from now.Posnanski also interviews current magicians and Houdini scholars to hear their stories and view their collections of Houdini materials and resources, including museums, books and films by Houdini himself, as well as elusive scholarly books that expose his tricks and techniques. Thankfully, Posnanski refuses to reveal any of Houdini's secrets (except for one which he gives readers plenty of opportunity to flip ahead and not read a potential deflating solution to a difficult problem).
The Life and Afterlife of Harry Houdini is a wonderful look at America and its people in the early years of the twentieth century. But it is Houdini himself that still captures the imagination with his larger than life persona, dreams, and exploits. A fascinating book about a unique performer, well worth anyone's time interested in magic, self-promotion, early American life, and the individual who brought to the public all these elements in one glorious package.
Good magic sneaks up on you and finds the secret passage to the part of you that knows this is bullshit. It sweeps your mental supports out from under you for a moment and reminds you that the essential nature of life is mystery.
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If this book interests you, be sure to check out:
If this book interests you, be sure to check out:
Gold, Glen David. Carter Beats the Devil.
One of my all-time favorite books. Historical fiction about the famous magician Charles Carter, his life and love, and his possible involvement and subsequent disappearance after a performance where President Harding mysteriously died. Highly recommended (previously reviewed here)
Steinmeyer, Jim The Glorious Deception: The Double Life of William Robinson, aka Chung Ling Soo, the Marvelous Chinese Conjurer
The incredibly true story of a white man who masqueraded as a mysteriously silent oriental magician his entire career. Wonderfully talented, he died on the stage when an illusion when wrong. Captivating read. (previously reviewed here)
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