What To Read and Why

Prose, Francine. What To Read and Why. New York: HarperCollins 2018. Print

First Sentences:

Reading is among the most private, the most solitary things that we can do.

A book is a kind of refuge to which we can go for the assurance that, as long as we are reading, we can leave the worries and cares of our everyday lives behind us and enter, however briefly, another reality, populated by other lives, a world distant in time and place from our own, or else reflective of the present moment in ways that may help us see that moment more clearly.

Description:

The books I most eagerly and thoroughly enjoy are those that tell me about other books. Whether through an author's personal reading preferences like Book Lust by Nancy Pearl or Joe Queenen's One For the Books, or by recounting personal adventures with books like The Shelf (reading an entire shelf of library books) by Phyllis Rose or The Know-It-All (reading the entire encyclopedia) by A.J. Jacobs, anything that describes and thereby promotes great, interesting books is always my first choice.

What To Read and Why by Francine Prose ably fills the bill for me. She clearly understands the double joy of reading: the solitary time in the author's world and then the sharing of the book's ideas with others. And she suggests that "You've got to read this" are the words that should open every positive book review. She feels the best reviews of recommended books really are telling readers to "Drop everything. Start reading. Now."

Reading and writing are solitary activities, and yet there is a social component that comes into play when we tell someone else about what we have read. An additional pleasure of reading is that you can urge and sometimes even persuade people you know and care about, and even people you don't know, to read the book you've just finished and admired -- and that you think they would like, too. 

In What to Read, each of its thirty-three chapters covers one highly recommended book and author. They range from the more recognized Mary Shelley's Frankenstein and George Eliot's Middlemarch to the lesser-know (at least to me) Roberto Bolano's 2666 and Mark Strand's Mr. and Mrs. Baby. Along the way author Prose covers the lives (briefly) and books by Austen, Alcott, Munro, and Knausgaard, as well as Charles Baxter, Deborah Levy, and Mohsin Hamid, all of whom I was to varying degrees unfamiliar with.

Prose even includes a couple of chapters on related topics such as "On Clarity," "What Makes a Short Story?",  and "On the Erotic and Pornographic." Got your interest yet? Surely there is something to whet anyone's reading appetite in What To Read and Why. 

Here's a writer who clearly loves to read and enthusiastically share her gems will all of us. Now, a few tidbits to get you excited about her recommendations:

• [on "The Collected Stories" of Mavis Gallant]: I feel  kind of messianic zeal, which I share with other writers and readers, to make sure that Gallant's work continues to be read, admired -- and loved....She builds her fictions with moments and incidents so revealing and resonant that another writer might have made each one a separate story....Her fiction has the originality and profundity, the clarity, the breadth of vision, wit, the mystery, the ability to make us feel that a work has found its ideal form, that no one word could be changed, all of which re recognize as being among the great wonders of art.

• [on Patrick Hamilton]: With their intense, and intensely mixed, sympathies for the men and women who haunted the pubs and walked the streets of London's tawdrier districts just before, during, and after World War II, Patrick Hamilton's novels are dark tunnels of misery, loneliness, deceit, and sexual obsession, illuminated by scenes so funny that it takes a while to register the sheer awfulness of what we have just red.

• [on Andrea Canobbio]: Canobbio...avoids the obvious pitfalls, largely as a result of his acuity and inventiveness, of the specificity and density of his detail, the elegance of his style, and the depth of his psychological insight.

• [on Elizabeth Taylor (the author, not the actress)]: The best of her fiction is extremely funny, incisive, sympathetic, and beautifully written, but it can also make us squirm with uneasy recognition and tell us more than we might choose to hear about ourselves and our neighbors. Awful things happen in those narratives, not in the sense of violence and gore but of characters realizing awful truths about the lives in which they are hopelessly mired.

• [on Jane Austen]: No other novelist combined such a subtle, delicate moral sensibility with such a firm, no-nonsense grasp of the most material realities -- of the fact that money determines one's opportunity to live in the tranquil and gracious style to which one is (or would like to be) accustomed.

• [on Stanley Elkin]: Stanley was not only a maximalist of language, but also one of truth....That was one of the most astonishing and special qualities of his work: that piling on more and more -- more metaphors, more world, more sentences, more humor, more energy -- as a way of delving into, bringing to light, and forcing us to look directly into the heart of the simultaneously dark and scintillating mystery of what makes us human. 

Well, you get the idea. Francine Prose is a gifted writer herself, willing to read widely, analyze the importance of great writing, and share her loves with us. No one could pick up What To Read and Why without finding something unexpected and alluring, an author, title or review, that will make them immediately go into a bookstore, library, or online to obtain a copy of this new treasure. Highly recommended. 

Happy reading. 

Fred

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If this book interests you, be sure to check out:

Pearl, Nancy. Book Lust.   

Absolutely the best, most compelling, delightful reviews of hundreds of recommended titles from the head librarian of the Seattle Public Library. Irresistible, and best of all Pearl has several other Book Lust titles available for travel, teens, etc. (previously reviewed here)