Hatchet

 Paulsen, Gary. Hatchet. New York : Simon & Schuster 1987. Print.

 

First Sentences:

Brian Robeson stared out the window of the small plane at the endless green northern wilderness below. It was a small plane, a Cessna 406 -- a bushplane -- and the engine was so loud so roaring and consuming and loud, that it ruined any chance for conversation. Not that he had much to say.


Description:

Just because a book is labeled as being in the "Young Adult" genre doesn't mean it is not worthy of attention by adults, too. Such is the case of Hatchet by Gary Paulsen. Many of you may already know of this book (and many of Paulsen's other works) after reading it to your youngsters or watching them become engrossed while reading its story for themselves as teens. 

 

For me, it was cleaning out my bookshelves. I came across a worn version that both our son and I had read and re-read several times, although in my case not for many years. I decided I needed a bolstering adventure tale so started reading it again. In only a couple of days, I finished the nail-biting adventure, fully satisfied with the writing, characters, setting, and of course the survival story of thirteen-year-old Brian Robeson, lost deep in the Canadian woods.

Brian, flying in a small bush plane for a visit with his father in backwoods Canada, has to crash land the plane after the pilot suffers a heart attack and dies in the skies over the middle of nowhere. Brian manages to scramble out of his seat and finds himself in a dense, lonesome forest surrounding the lake where he crashed.

 

As a city boy who knows virtually nothing about the outdoors, Brian is faced with the conclusion that no one knows where he is or even whether he is alive. Therefore, left on his own, he must learn how to find shelter, eat, and ward off any threats to his survival.

 

The rest of the book follows his self-taught education into forest lore and the creatures and environment that surround him. He learns, slowly, frustratingly, and sometimes painfully how to manage his life day to day, alone.

 

And that is the story. I found the challenges faced by Brian to be realistic as were his solutions, including the choices he made that did not work in his favor. I was caught up in the life alone in the woods and continually wondered whether I would have addressed the situation and survived or just ... I don't know, gave up?

 

It is a gripping tale, a very personal experience narrated by Brian as he struggles with new challenges virtually every hour.  Author Paulsen is an extremely gifted writer of YA books and has related that he himself had experienced in his own life each of Brian's challenges, thus adding to the realistic adventures and mindset of Brian in his foreign world.

 

There are several other adventures in the Brian Robeson survival series, each one great although I enjoyed Brian's Winter the most for its completely different challenges he faces in the bitter cold season (see below).

 

Highly recommended for your own reading and especially to read aloud or give as a gift to a curious young person seeking adventure and a voice they can understand and identify with. 

  

[If this book interests you, be sure to check out:]

Paulsen, Gary. Brian's Winter.

What if Brian had not been saved before the bitter cold of winter arrived in his woods? How could he survive, even using his newly-discovered forestry skills? A gripping adventure full of adventure, obstacles, hardships, and triumphs.

Happy reading.

 

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

Island at the Edge of the World

Pitts, Mike. Island at the Edge of the World: The Forgotten History of Easter Island. New York : Mariner Books 2026. Print.

First Sentences:

This story about statues begins on Easter Sunday, 1722, on what was then the remotest inhabited island on Earth. This was the day the first European set eyes on Rapa Nui, the start of the final century when Islanders were in control of their own world. It was the day when everything about the island began to change, so that within a few generations no one there could say what the statues meant or who made them.

Description:

No one can deny a secret fascination with Rapa Nui (Easter Island). After all, it's a barren island thousands of miles from the nearest land, with no trees, few inhabitants, and hundreds of huge stone statues of heads and bodies scattered throughout the land. How was this island ever discovered and by whom? Where did all those people go? Why are there no trees? And, of course, who carved the gigantic heads and for what purpose?   

 

Mike Pitts, in his extensively researched Island at the Edge of the World: The Forgotten History of Easter Island, looks deeply into original documents recorded by the first seamen who came across Rapa Nui in the 1700s, as well as the diaries and notes taken by early researchers, Katherine and Scoresby Routledge, who in 1910 lived for months on the island with to study and understand its people, culture, and history. DNA and radiocarbon dating were also studied. He also included research by Thor Heyerdahl from the 1960s, although Pitts feels many of Heyerdahl's conclusions, while extremely popular with the public, were based on legends, misconceptions, and racism which perpetuated many untruths about Rapa Nui and its history.

 

Little is known of Raga Nui prior to 1760, with only scattered eye-witness records of Europeans from 1722 on and before the slave traders, missionaries, and South American governments took a self-centered interest.

 

Author Pitts divides Island at the Edge of the World into sections to explore several major questions. He focuses his studies about each subject on related hard evidence and original documents to draw conclusions based on facts rather than legends and unsupported rumors:

• First settlers? - Pitts research indicates that Polynesians were the first settlers around 1200. They were masters of navigating long distances and had already colonized other islands using huge outriggers that could carry sufficient men, women, and children as well as animals, tools, and food to start a colony. Easter Island culture is full of Polynesian art, building style, traditions, etc.

• First Europeans? - In 1760 a Dutch East Indian Company ship stumbled upon the island on, guess what, Easter Sunday, 1760. Other voyages followed, including those of James Cook and explorers from other countries as well. Pitts searched out these first-hand observations as the most reliable accounts of island life and people.

• What happened to the people? - Pitts found records indicating the immediate influx of Peruvian slave traders who captured most of the population as slaves. A decade later when the Chilean government passed laws to stop this human trading and return captured islanders, the released captives brought back diseases which decimated the population even further. The arrival of Christian missionaries spread more disease, further diminishing the culture and population. Investors bought the abandoned homes and gardens of deceased islanders and turned it into sheep-grazing land, destroying cultural centers, farms, houses, and religious symbols. The island was "sold" by the Chilean government in 1897 to one man who turned all the land to sheep grazing. The population was rounded up and placed in a single large community behind walls and not allowed outside that compound. Only a hundred or so people survived in 1877, down from an estimated population of 6,000  only a decade ago.

• Who built the stone heads (moai) and why? - Although the earliest interviews with the islanders were recorded by the Routledges in 1910, the current people did not know the origin of the carvings and purpose even at that early date. Recent carbon dating puts the stone carving between 1200-1680CE. Pitts concludes that the slave trade removed the men who knew how to carve the statues, as well as those who understood the purpose and traditions the carvings represented. Recent archeological digs have uncovered human bones at the foot of these stone heads, indicating the giant heads might be grave markers and protectors of ancestors.

• How were the statues moved? - Almost 1,000 heads were found scattered all over the island. They must have been moved from the quarry to their varied locations. But this barren island never provided enough trees to use as rollers under the statues, a difficult undertaking with any trunks that were not perfectly cylindrical. Rope-walking the heads was also tricky as statues were likely to fall, unable to be raised again. Pitts tested and soon felt the answer was sleds made of palm fronds and a couple of trunks which could easily slide the heads into desired locations.

• What new research is there? - DNA and radiocarbon dating have become very sophisticated, allowing anthropologists and archeologists solid data on the age of the stone carvings, the tools used, the ancestral history of the surviving people through buried bones, and the beginning of understanding of the few pieces of writing and pictures found.

Each of Pitts' conclusions was reached after exhaustive research into ancient records and visits to Raga Nui himself. Interestingly, he located records from Katherine Routledge, (the first person to actually study the island and culture), including her diaries, maps, statue counts and descriptions, sketches of petroglyphs, and interviews with natives. These documents had long before been seized and suppressed by her husband, Scoresby, after he had her forcibly committed her to an asylum for her paranoid behavior. Pitts also visited and described what few artifacts exist in museums around the world, including several carved heads, some untranslated writing on wood planks, and a feathered helmet.

 

Sorry this review is so long, but it is a fascinating subject full of thorough research clearly presented to try to unlock the secrets of Rara Nui. Many of Pitts' findings counter Heyerdahl's and other popular theories, with Pitt feeling these accounts relied on unproved rumors and conjectures by the writers, and did much damage to the real story of these islanders by suppressing the cruel influence that Europeans had thrust upon them. 

 

So read or at least skim this book for what I consider the true history, culture, and fate of this most mysterious of isolated islands: Rara Nui, also known as Easter Island. 

   

[If this book interests you, be sure to check out:]

 Heyerdahl, Thor. Easter Island: The Mystery Solved

Read Heyerdahl's own explanation of the history of Easter Island, the stone carvings, writings, and original settlers. He proposes very different answers to the questions raised about the island, its people, and carvings. (Note: Mike Pitts, in the above book, thinks Heyerdahl is mistaken in almost ever explanation he proposes, but it is interesting to contrast their research and conclusions.)  (Previously reviewed here.)

 Happy reading.

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

Mrs Palfrey at the Claremont

Taylor, Elizabeth. Mrs Palfrey at the Claremont. New York : New York Review Books 2021. Print.

First Sentences:

 

Mrs Palfrey first came to the Claremont Hotel on a Sunday afternoon in January. Rain had closed in over London, and her taxi sloshed along the almost deserted Cromwell Road, past one cavernous porch after another, the driver going slowly and poking his head out into the wet, for the hotel was not known to him. 

Description:

This book is a bit of a switch for me. Short, cosy, quiet, not much action. But Elizabeth Taylor's Mrs Palfrey at the Claremont got ahold of me with its characters and concise writing style and wouldn't let go until the very surprising end.

 

First published in 1971, Mrs Palfrey is the eleventh of twelve novels written by Elizabeth Taylor (not that Elizabeth Taylor), and  was short-listed for the Booker Prize. Taylor, once one of the most renowned of British women writers, seems to have fallen off the "To Be Read" list of modern readers. But with Mrs Palfrey, I stumbled onto her work and was immediately captivated.

 

Laura Palfrey, the main character, is a recently widowed mother to estranged daughter Elizabeth and equally distant grandson Desmond. She recently decided to move into a modest hotel to live out her days. The Claremont was located in London near the National History Museum and other attractions, favorable points in selecting that hotel although Mrs Palfrey and her other permanent residents in that hotel never have the energy or desire to visit these attractions.

 

While the Claremont is a regular hotel with temporary guests, there are several elderly women and one man who have made it their permanent home. Living sheltered lives of gossip, loneliness, and boredom, these residents exist on routines of checking the daily posted menu for each meal, eating, watching a TV serial, and knitting. The sole male, Mr. Osborne, spends his days writing complaint letters to The Times and buttonholing the hotel staff with dull stories and crude jokes. Mrs Burton, another resident, loves nothing more that obtaining drinks at the hotel bar, while the others content themselves with observing passersby on the street and gossiping about the lives of other people.

At the Claremont, days were lived separately. One sat at separate tables and went on separate walks. The afternoon outing to change library books was always taken alone. 

Highlights for each person is a visit from a relative, even though that is usually a matter of obligation for the visitor. Mrs Palfrey has only one grandson, Desmond, nearby who works in the British Museum and has little interest in visiting her. So Mrs Palfrey, alone in her days, by chance meets an impoverished young writer, Ludo, who becomes a friend and even visits her at the Claremont.

 

The trick: Ludo with Mrs Palfrey's insistence, pretends he is her grandson, Desmond, to show her fellow residents that she, too, has relatives who visit her. For Ludo, Mrs Palfrey gives him ideas for characterization of people in the novel he is slowly writing, so his intentions are not altogether altruistic. But for Mrs Palfrey, he is a godsend to her life and her relationship with the residents.

 

Taylor writes this novel as a series of scenes rather than a narrative. Mrs Palfrey is a keen observer of her world and its inhabitants, as well as the motivations and shortcomings of herself and others. While not much happens in the routine world of the Claremont, each page is full of quiet insights into the behavior of people, something I found fully absorbing. Taylor's writing style is compact, straightforward, yet loaded with insight, compassion, frustration, loneliness, and yes, some humor.

Sometimes when I was a young, married woman, I longed to be freed -- free of nursery chores and social obligations, one's duty, d'you know? And free of worries, too, about one's loved ones -- childish ailments and ageing parents, money troubles....But it's really not to be desired -- and I realise that that's the only way of being free -- to be not needed. 

In rereading this recommendation, I'm not sure my enthusiasm for Mrs Palfrey at the Claremont comes through. But let me assure you, if you are looking for a quiet, challenging, people-centered story of quirky, yet very human characters, you cannot go wrong with this novel. Give it a whirl and see for yourself.

  

[If this book interests you, be sure to check out:]

Willett, Jincy. Amy Falls Down

An elderly woman stumbles and falls in her backyard, only to awaken in a hospital as a celebrity due to something she recently wrote but now no longer remembers. Her quiet life is soon changed. (Previously reviewed here.)

 Happy reading.

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

Moby-Dick

Melville, Herman. Moby-Dick: or The Whale. Oak Park, IL : Top Five Books 2026. (originally published 1851). Print.

First Sentences:

Call me Ismael. Some years ago -- never mind how long precisely -- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear or every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off -- then, I account it high time to get to the sea as soon as I can. This is my substitute for pistol and ball.

Description:

Please do not be afraid of taking on Herman Melville's Moby-Dick: or The Whale. I know, I know, there are many reasons to avoid this masterpiece of literature and history. 

• Too long (600+ pages with 135 (short) chapters); 
• Too much whale info (from species differences to killing to processing to the value/use of spermaciti); 
• Too difficult a language (in 1850s style, why use one adjective and a short sentence when ten adjectives in a 50-word sentence works even better?); 
• Too much symbolism (everything comes in three's, too religious, fate vs. free will, etc.); 
• Too tragic (obsessive, vengeful doomed captain vs. maniacal, equally vengeful whale); 
• I simply don't have the time and don't care about this book.

But you will be denying yourself one of the greatest work of historical fiction ever created. You would want to at least give such an immersive novel a chance, wouldn't you? I thought as much so keep reading. 

 

To warm you up, I have included several more opening sentences above, more than just the first words of this novel. After all, who doesn't know "Call me Ishmael," probably one of the familiar opening three words in literature? 

 

But you need to notice and absorb the rest of these enticingly rich, revealing opening sentences to get a sample of what lies ahead. What you are presented with immediately are the evocative, highly-personal musings of the narrator, Ishmael, as he contemplates his current lack of funds, boredom with life, thoughts of death, the growing dominance of his "hypos," along with a weakening "moral principal" which prevents him from "knocking people's hats off," and his growing attraction to "pistol and ball" to end his life. 

 

To address his musings, Ishmael turns to his usual remedy: he takes to sea and impulsively joins the crew of the Pequod whaling ship.

 

Thus Melville introduces the character whose role is to observe and relate his tale to any land-lubber readers unfamiliar with a seaman's life and whaling. From his first musings and descriptions of the world and people around him, Ismael reveals his serious eye for detail and contemplation, a masterful use of language, and even some humor. He becomes an ordinary man on board a whaling ship in the 1850s among a company of shipmates with distinctive personalities. In these first sentences, we are given a penetrating picture of this thoughtful character.

And his fellow Pequod crew members are all under the leadership of captain Ahab who, Ishmael soon discovers, only took on the captaincy of this whaling ship so he could pursue and take vengeance on Moby Dick, the white whale that chewed off Ahab's leg on a previous voyage. Collecting valuable spermaieti from whales, the PequodI's investing owners' goal, would be only a secondary task to Ahab and his crew.

 

Here are the main characters:

• Ishmael (narrator) - "A simple sailor";
• Quequeeg (harpooner) - A heavily tattooed Islander who could hit a spot of tar across the ship deck with his harpoon (which he shaves with), and a friend to Ishmael;
• Starbuck (First Mate) - Voice of reason who tries to convince Ahab to abandon his quest of vengeance;
• Stubb (Second Mate) - Happy-go-lucky, pipe-smoking officer who enjoys eating raw whale meat; 
• Flask (Third Mate) - "A short, stout, ruddy young fellow...who somehow seemed to think that the great leviathans had personally and hereditarily affronted him";
• Fedallah (Ahab's harpooner) - Parsee (fire-worshiper) and predictor of the future; 
• Ahab (Captain) - Glowering, facially scarred, peg-legged, tragically-driven, vengeful leader of the voyage and crew.

  

We all know the story of Moby Dick and its tragic ending, so I won't re-tell it here. But beyond the plot, what makes this book fantastic is the depth Melville explores in so many areas. Whether describing the thoughts and actions of Ishmael's crew mates, musing over the roles of Fate vs. Free Will in decision-making, sharing the workings of a real whaling ship and voyage (a significant industry to readers of 1851 when the book was published), and even the cataloging of the different species of whales and harpoons, Melville is the master of observation and encyclopedic knowledge. He intersperses references to Shakespeare and the Bible alongside the history of whaling tools and the men who created and used them. All these inclusions are to support Melville's broad survey of the importance and reality of whaling in the 1850s. 

 

Moby-Dick is not a page-turning thriller although there are many suspenseful situations. It also is not a straightforward story that moves from Point A to Point B clearly and succinctly. If you are looking for a quick distraction, this is not the book for you.

 

Rather, it's as if we, the readers, are placed at a table with a magnificent gourmet feast in front of us. But before we can sample the food, the chef enthusiastically explains the workings behind the meal: from the growing of special crops and meat and their preparation; the people who cultivated and cooked the ingredients; the kitchen layout and utensils employed; the table setting; and even the atmosphere of the room. 

 

While this may sound tedious and frustrating ... "Just let me get on to the food!" you might think ... these vital details reveal the complex world behind the meal, a necessity to fully enhance for the novice diner the gourmet experience and the food itself. Through this chef's concern about presenting these details, we diners come to understand and appreciate the totality of this feast far beyond just the mere consumption of the food. 

 

There are plenty of fast food or even sit-down eating experiences out there if you preger those. No judgment. But Moby-Dick is a "meal" to be contemplated, savored slowly, and appreciated on a variety of levels. If you want a quick bite, an action-based story with everyday characters, you'll not find these in Moby-Dick. 

 

But there is oh, so much more that turns this novel from a hunt for a whale into a higher level that contemplates the battle between predestination, tragic obsession, and commercial whaling. Melville's language is so rich that it cannot be skimmed over. A reader must deliberately slow him/herself down to savor the 19th century words, the layered phrasings, and the concepts possibly unfamiliar to us living 175 years after Melville wrote. 

 

In short, you need to commit yourself to 1850 and life in the whaling industry to fully appreciate and identify with the characters and action of this book just as you would slowly, appreciatively relish each bite of a gourmet dining experience, even if there are courses that are not to your initial liking. It is the entire experience that shines and will stay with you long after the meal is over or the final pages are read.

 

 

 

As an elementary school kid I had repeatedly poured over my Classics Illustrated comic book version of Moby-Dick. (Note: Familiarity with the plots and characters in these 169 graphic interpretations of great novels, e.g. Silas Marner, Pitcarn's Island, Kidnapped, etc., carried me through my English classes in high school, my college BA and Masters in English). Later I had a wonderful high school teacher who took one entire day on the opening sentence of this novel and taught me how to appreciate its enormity. 

 

This month, when I learned that there was a re-release of a 1930 edition of Moby-Dick illustrated by Rockwell Kent, one of my favorites artists (these are his illustrations), I decided it was time to give the novel another, more adult look. Not a glance, not something to be quickly skimmed, but something I really wanted to understand in-depth. And boy, what I ever satisfied.

 

Maybe the 600+ pages is daunting to many readers. Or the language too unfamiliar. Or the diversions in whales, whaling, and the world of 1850 is too tiring to pursue when we have the internet, social media, and the television to captivate us more quickly. 

But I stand here today to highly recommend Moby-Dick  to everyone willing to at least sample, even if only for 50 pages or so, what powerful writing, themes, and stories can be. It will be time well spent, and, if nothing else, something you can brag about to friends and family.

 

[P.S. Those who notice such things may wonder why there is a hyphen in the title, Moby-Dick, but only the unhyphenated name "Moby Dick" is used in the book. No one knows why this is, although the rumor is that Melville's brother changed the proof in the title at the last minute because he liked hyphens, but didn't have time to do so throughout the book. Melville himself used a hyphen in his sea-faring adventure novel, White-Jacket, but really who knows (or cares)?  It's still a fantastic book, with or without a hyphen.]

[P.P.S. Here is a beautiful graphic map to help you understand what happens where and when on the voyage]:   https://bigthink.com/strange-maps/moby-dick-map/

Of course, it gets my Highest Recommendation. Enjoy. And let ne know your thoughts if you do read it or decide to give it a pass. I'm interested.

 

 

[If this book interests you, be sure to check out:]

 DeFoe, Daniel. Robinson Caruso

One man is shipwrecked on a deserted island and make his way along, contemplating the world, his fortune, and his survival until jhe discovers a companion.

 Happy reading.

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

The Dentist

 Sullivan, Tim. The Dentist. New York : Atlantic Crime 2020. Print.

First Sentences:

The young woman standing in front of him was smiling. Cross was sure of this, as her mouth was turned up at both corners, which was a definite sign. He wasn't sure what it meant though, because he didn't know her. 

Description:

It's always a great pleasure to me to discover a new author, particularly one who has written numerous books in a genre I enjoy. In this case, my latest discovery is Tim Sullivan and his initial police procedural mystery, The Dentist. 

 

Detective Sargent George Cross, the main character in this novel, is a brilliant, yet irritating detective for the Major Crime Unit of the Avon and Somerset (England) police force. Cross, while having probably the best criminal conviction rate in the country, is extremely awkward to be around due to his Asperger's Syndrome which puts him on the Autism Spectrum.

 

This condition makes him extremely detail-oriented and relentless in his pursuit of the truth, both pluses for any criminal investigator. But he is also socially inept, unaware of the affect of his words and actions on others, definitely a minus for his department, suspects, and his long-suffering partner, Josie Ottey, and new officer Alice Mackenzie. He abruptly leaves meetings without a word to pursue some new idea, leaving others to wonder what he's up to. It never occurs to him to include them on what is going on in his head unless they specifically ask him.Truly a trying man to be around professionally and socially.

[Ottey] had become his apologist and translator with the rest of the world. She wasn't entirely happy about this....As frustrating as she found Cross and partnering him, it did have its upside. She wouldn't dream of telling anyone else, but she'd learnt a lot from this man. More than she'd care to admit. 

Cross doesn't drive.although he can. Instead,he sometimes opts to be driven (often reluctantly) by his colleagues so he can concentrate on his thoughts en route. He mostly prefers to use his bicycle for transportation when a driver is not available or he is in too much of a hurry to get somewhere.

[At the crime scene] He had arrived on a bicycle, fully kitted out in a dayglo green helmet with a flashing light and digital camera attached to the top, dayglo cycling windbreaker, dayglo bicycle clips round his ankles and a small backpack over his shoulder. He looked more like an eccentric, absent minded, fifty-year-old geography teacher who had lost his way en route to an orienteering field trip...  

In the opening pages of The Dentist, Cross and Ottey are faced with the dead body of an elderly homeless man. Uniformed officers on the scene had already dismissed this death as a "homeless on homeless" situation that likely involved an argument, an escalating fight, and then an intentional or accidental death. The police conclusion? Inconsequential people in a time-waster of a case. 

 

But to Cross the body represented an individual who needed to be understood in order for Cross to recreate at the situation that led to his death by an unknown person.

Cross studied the corpse's face. Who was this man? How did he end up here? Like this? What events in his life led him to this moment? What was his story?

So there you have it. An odd detective, his partner, a rookie staff person, and the rest of the police force working on a case. I can't give any more away. However, if you are looking for careening car chases, shoot-outs, and fist fights, this is not the book or characters for you. This is a police procedural, one where the action is looking for clues, intensively interviewing suspects, rejecting false leads, and sitting around in meetings and thinking. Maybe this sounds dull, but the conversations, interviews of suspects as well as the investigation procedures conductive by intense and sometimes confused (by Cross) colleagues are fascinating to see in "action."

 

Best of all, author Tim Sullivan has written eight (so far) DS George novels. Having read the first three (The Cyclist is the second in the series, then comes The Patient, both equally well-written and compelling), I have five more queued up on my "To Be Read" list. Nice to have a good novel to turn to when other items don't pan out. I'm going to read them in order as there is growth to the characters and their relationships to each other, even in the first two books. Can't wait to dive into the fourth book, The Politician, when I need a reliable story to fill my spare hours.

[If this book interests you, be sure to check out:]

Baldacci, Davie. Memory Man.

Amos Decker is a man has a memory that remembers every detail, conversation, picture, or situation ... forever. He can never forget the brutal murders of his wife and child, dropping out of the police department and becoming a derelict. But he is reluctantly pulled back into an investigation by a friend who had been on death row but was released after a last-minute confession by another person. Highly interesting and pulse-pounding. Decker is a fascinating character. (Previously reviewed here.)

 Happy reading.

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

A Marriage at Sea

Elmhirst, Sophie. A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck. New York : Riverhead 2025. Print.

First Sentences:

Maralyn looked out at emptiness. There was little to see except the water, shifting from black to blue as the sun rose. A clear sky, the ocean, and themselves: a small boat, sailing west. 

Description:

Survival stories are some of my favorite non-fiction books to read. Combine that setting with a relationship adventure between two free-spirited souls and you have my full attention. So you can see why I now recommend to you Sophie Elmhirst's true adventure account of Maurice and Maralyn [sic] Bailey's shipwreck tale in A Marriage at Sea: A True Story of Love, Obsession, and Shipwreck.

 

Both Maralyn and Maurice were unique personalities. Maurice was a loner, a man who dreamed of a life where he could be his own boss with no meetings or schedules ... free from responsibility to anyone except himself. He was a stutterer, had a hunchback, and once suffered from childhood tuberculosis which caused him to miss quite a bit of school. He made up for these shortcomings through self study and proved himself to the world by becoming a rock climber, a handyman, a pilot, a sailor, and more. 

 

Maralyn was a strikingly pretty woman who lived a sheltered life with her parents. They were people who liked doing things the old ways and kept Maralyn protected from experiencing anything new or challenging. Despite these constraints, Maralyn had become a confident, intelligent woman who simply preferred to be alone, taking walks in the woods, wearing her sister's cast off clothes, and being completely uninterested in anything that others did or said in social situations.

 

Maurice and Maralyn met when Maurice subbed for a friend in a two-person car rally. Maralyn was the driver and Maurice the navigator. She gave Maurice confidence by being interested in his life and decisions, while he opened the world from his real life skills and experiences. They began dating and soon married.

 

But soon, restlessness set in for both of them. They decided to work and save for five years to afford a boat, quit their jobs, then live on the boat, sailing off into the sunset with no plans or destinations, and no bosses. They accomplished those goals, created the boat, and set off.

 

Things went smoothly for the first year at sea until a whale's tale punctured a hole in their boat. They had only a few minutes to gather several items and jump into their inflatable lifeboat.

 

No spoilers in this previous information as all these events happen in the first few pages. But here's where I stop retelling their background and force you to read Marriage at Sea for yourself about how they survived 117 days adrift. What they ate, how they recorded their days, how they reacted to each other, the sharks, the boobies (sea birds), and their failed plan to have giant turtles pull their raft are the stuff of this captivating memoir. They and their story survive, of course, and this book details their daily hopeless grind of survival and relationship.

Doubt grows in emptiness.

I won't detail their days at sea, but if you are like me and enjoy survival stories, this one is for you. One cannot help but marvel as they face and overcome multiple obstacles and maybe, like me, wonder if I would have been as resourceful and hopeful for as long as they did. (Spoiler: probably not very long for me!).

 

It's a gripping tale of adventure, survival, and hope between two very different people who happened to be committed to each other through thick and thin. Fully engrossing and able to keep readers in suspense from the first to the last get to know and understand these unique people in crisis and in their relationship. Hope you like it.  

"We had found self-knowledge, self-reliance and proved our emotional self-sufficiency" recalled Maurice. As if it were an achievement, to need no one else. 

____________________

[If this book interests you, be sure to check out:] 

Martel, Yann. Life of Pi

One young boy from India survives a shipwreck, floating for weeks alone ... except for a giant tiger in the lifeboat with him. 

 Happy reading.

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

Over to You

Dahl, Roald. Over to You. London : Reynal & Hitchcock. 1946. Print.

First Sentences:

Oh, God, how I am frightened. Now that I am alone I don't have to hide it; I don't have to hide anything any longer. I can let my face go because no one can see me; because there's twenty-one thousand feet between me and them and because now that it's happening again I couldn't pretend any more even if I wanted to. 

Description:

Having recently read Roald Dahl's memoir, Going Solo about his World War II experiences flying for the RAF, I fell in love with his spare, honest writings about his thrilling adventures, and definitely wanted to read much more from him. Luckily among his numerous books for children, I found his Over to You, made up of ten more stories about the men who piloted Hurricane fighter planes in WWII in the desert.

 

These narrations were probably based on the people, locations, and situations from Dahl's own experiences. They certainly seemed, to me, to be realistic. But even if these tales were entirely fictionalized, each one rang true because they focused on the men themselves, not just the situations they faced, real and imagined. We lucky readers can see up close what these pilots were thinking. What were their plans? How did they to occupy their down time? What were their relationships with the local people near their air bases and with the enemy fighters?

 

Here's some examples of the captivating stories contained in Over to You: 

• A pilot, after four years of flying missions, is overcome with dread about having to fly again, a terror that seizes his every moment before and during his time in the air until he comes into combat at which time all his fear dissipates;

• Pilots save and adopt of very young girl whose family had been killed in enemy strafing of her tiny village;

• Pilots on an off-day decide to free several ordinary women who have been forced into prostitution;

• Crew and friends await the return from a mission of their fellow pilot. But when he eventually lands safely two days later, they find he has no memory of the time that has passed since he flew off;

•  A mother senses when her son is on a mission and feels she is in the cockpit with him.

• A pilot returns from a mission, quietly has a drink by himself in the airport bar, and only after much convincing by fellow pilots does he admit he had seen five enemy planes on his mission and shot them all down.

All these tales are narrated in Dahl's crisp prose. Each sentence conveys a picture of the feelings of the men, their situations, and their surroundings. Even their planes come to life under Dahl's words:

Our two Hurricanes were standing a few yards away, each with that patient, smug look which fighter planes have when the engine is not turning, and beyond them the thin black strip of the sloped down towards the beaches and towards the sea. 

 Dahl portrays the non-combatant civilians with the same intimacy:

It's always the same. As the bombers move south across the country at night, the people who hear them become strangely silent. For those women whose men are with the planes, the moment is not an easy on to bear.

There you have it. It's a quietly passionate book full of fully-rounded, interesting people with questions, observations, bravery, and fears about the War, their surroundings, other people, and their own position in all of it. Each story, to me, was a gem written in precise prose, detailed enough that I felt I knew and even understood every individual character. What more could any reader ask for in a book? Highly recommended.  

 

[If this book interests you, be sure to check out:] 

Roald Dahl. Going Solo.

Memoir of Roald Dahl's flying experiences with the RAF during World War II. Superb writing and adventures in every chapter. (Previously reviewed here.)

Happy reading.

 

Fred

[P.S. Click here to browse over 500 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]

A Month in the Country

 Carr, J. L.. A Month in the Country. New York : New York Review Books. 1980. Print.

First Sentences:

When the train stopped I stumbled out, nudging and kicking the kitbag before me. Back down the platform someone was calling despairingly, "Oxgodby...Oxgodby." No one offered a hand, so I climbed back into the compartment, stumbling over ankles and feet to get as the fish-bass {on the rack] and my folding camp-bed {under the seat). If this was a fair sample of northerners, then this was enemy country so I wasn't too careful where I put my books. 

Description:

In the early Post-World War I year of 1920, Thomas Birkin arrives in a remote village in Yorkshire, England to restore a newly-discovered Medieval mural in a local chapel. He is a man broken by what he has experienced in the War, with a facial tick and halting sentences. Meticulously restoring decaying art pieces, particularly in churches, had become his meager livelihood.

The marvelous thing was coming into this haven of calm water and, for a season, not having to worry my head with anything but uncovering their wall painting for them. And, afterwards, perhaps I could make a new start, forget what the War and the rows with Vinny had done to me and begin where I'd left off....and, afterwards, maybe I won't be a casualty anymore. 

He is not particularly welcomed by the vicar who feels the painting to be restored had been hidden over the years for a reason. He felt is was probably an apocryphal scene not to his liking, with devils, spirits, blood, and other off-putting, ungodly imagery. 

And that is how I first saw him [the priest], his precise businesslike letters made flesh, standing in the doorway below me, seeing by wet footprints that I had come. Like a tracker-dog he looked along their trail to the foot of the ladder and then up it. 

But Birkin is not to be put off, having been commissioned by the church committee over the vicar's protests to do the restoration. Birkin takes up a simple residence in the chapel's bell tower in the loft, careful to be away when the Sunday bells are rung. The wall concealing the mural is only steps from his room, and he allows no one to climb the ladder to view either his work or his lodgings.

 

But he is befriended by several people: two children, Kathy and Edgar, who bring a record player and music into the chapel, chatting constantly with him; Alice Keach, a young woman married to the dreaded vicar, a woman he becomes attracted to; and Moon, a fellow damaged War survivor camped out on the nearby grounds, commissioned to find an ancient burial tomb containing a former property owner. 

 

All these characters strike up their own version of friendship and attachment with Birkin as he toils away on the mural, restoring faces, colors, and images to their original freshness, all the while gleaning hints about the artist himself.

 

And when he finished, he had only a single thought, and it was about the original mural painter.

I knew that, whatever else had befallen me during those few weeks in the country, I had lived with a very great artist, my secret sharer of the long hours I'd labored in the half-light above the arch....And, standing before the great spread of color, I felt the old tingling excitement and  a sureness that the time would come when some stranger would stand there too and understand. 

The characters, the setting, the conversations, and most of all the gentle, smooth writing make A Month in the Country a highly pleasurable book to curl up with in a comfy chair in front of a fireplace, a warm blanket around you, and a hot beverage close at hand. A lovely book in every way.

 

[If this book interests you, be sure to check out:]

Delderfield, R. To Serve Them All My Days.

The narrator, returning from World War I battlefield with sever trauma, joins a boys' school as a teacher, although he has never taught before. The headmaster recognizes the man's worth and mentors him throughout his new career. Probably the book I most often recommend to other readers. Absolutely wonderful characters on every page, especially the narrator. (Previously reviewed here.)

 Happy reading.

Fred

[P.S. Click here to browse over 480 more book recommendations by subject or title and read the introduction to The First Sentence Reader.]