Wednesday, August 16, 2023

The Art Thief

Finkel, Michael. The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession. New York: Knopf 2023. Print.



First Sentences:

Approaching the  museum, ready to hunt, Stephane Breitwieser clasps hands with his girlfriend, Anne-Catherine Kleinklaus, and together they stroll to the front desk and say hello, a cute couple. Then they purchase two tickets with cash and walk in. 

It's lunchtime, stealing time, on a busy Sunday in Antwerp, Belgium, in February 1997.


Description:

The details behind true crime and the people audacious enough to attempt and often pull them off successfully is always a fascinating topic to me. In Michael Finkel's The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession, we readers are presented with the almost unbelievable details of Stephane Breitwieser and his girlfriend Anne-Catherine Kleinklaus, both in their twenties, who in the late 1990s and early 2000s stole hundreds of art pieces from museums throughout Europe. They took paintings, chalices, firearms, crossbows, teapots, tapestries, figurines, coins, and even a 150 pound wooden statue. In short, they made off with anything that caught their discerning eyes.

The tools they used? A second-hand Hugo Boss overcoat, a large woman's handbag, and a Swiss army knife. That's it. Usually their grabs are right in front of guards, shielded from any security cameras, during regular museum hours full of tourists. They considered themselves artists, scornful of burglars who overpower guards (like the "savages" who committed the Gardner Museum heist) or sneak around in the dark (such as the theft of the Mona Lisa). 

[Side note: We learn from author Finkel that Pablo Picasso was the first person accused of masterminding the Mona Lisa theft since he had previously hired a thief to grab two ancient stone figures from the Louvre. The figures "had distorted faces, and Picasso kept them in his studio as templates...for the groundbreaking Les Demoisells d'Avignon."]

Breitwieser and girlfriend Kleinklaus averaged three heists every four weekends (when Anne-Catherine was off from work) for a decade, amassing a collection valued at over $2 billion (yes, "billion" with a "b"). But they never tried to sell even one piece of their accumulated art. Instead, they placed each piece in their attic apartment (the upstairs unit in Breitwieser's mother's house), and just admired the beauty of the art in a quiet, uncrowded environment all by themselves. No one else, maybe not even his mother, knew about their attic collection. "They lived in a treasure chest."

What were the origins of this crime spree, the motivations or psychological causes? How did they do it? Why did they pursue this behavior? And when, if ever, will they be caught? Author Finkel searches through newspaper articles, interviews, psychological reports, and courtroom transcripts to offer possible factors that brought Breitwieser to this obsession with art theft. And its a wild ride he takes us on to understand these two art thieves and to provide details of their escapades.

You cannot help but be caught up in this couple's boldness, their love of art, and their obsession to possess it and keep it secret from the world. Heist after heist unfolds in casual detail by Finkel, giving us readers an insider's view of the crimes and the minds of these two young people. It's a riveting, audacious book that is difficult to put down for the tension as well as for the descriptions of the beautiful art it presents. 
Stealing art for money, [Breitwieser] says, is disgraceful. Money can be made with far less risk. But liberating for love, he's known a long time, feels ecstatic.
Happy reading. 
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If this book interests you, be sure to check out:

Dolnick, Edward. The Rescue Artist  
When Edward Munch's The Scream painting is stolen from the National Museum in Oslo in 1994, Scotland Yard's Art Theft Department steps in. Led by Charley Hill, the department slowly tries to track down the thieves and recover the painting. Dolnick covers this chase as well as many other art crimes Hill has investigated. Riveting.(previously reviewed here)

 

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